Warmly jazzy and beautifully lyrical work from Gal Costa – a bit of a departure from the darkness of her earlier albums, but still plenty darn great! There's a really fluid sensibility to most of the tunes here – one that matches the title and cover image of the record – and which comes mostly from the well-crafted arrangements by Wagner Tiso and Perinho Albuquerque. A number of tunes use electric keyboards mixed with raspier guitar – a nice blend of instruments that still gives even the smoother tracks a bit of an edge. Titles include "Mae" by Caetano Veloso, "Cade" by Milton Nascimento, "Pois E" by Jobim, and "O Gosto Do Amor" by Luiz Gonzaga Jr – plus "Olhos Verdes", "Folhetim", "O Gosto Do Amor", and "A Mulher".
The colors are rich, but gentle too – like a palette of pastels, all sung by the lovely Claudine Longet! The album's got a slightly more mature feel than some of Longet's first for A&M – great Nick DeCaro arrangements that show some of the deeper elements creeping into pop at the end of the 60s – including some surprising use of acoustic guitar, which really helps transform the sound, and brings out an earthy, natural quality that makes Claudine sound sexier than ever! The sessions feature work by Randy Newman, Lyle Ritz, and Ron Elliott – and titles include "Pussywillows Cattails", "Catch The Wind", "Colours", "Bobbie (For Baby)", and "Hurry On Down".
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